Saturday 9 October 2021

The Founding of the Edinburgh Academy

 

 Between 1760 and 1820 the New Town was built in Edinburgh. In 1824 The Edinburgh Academy was founded, a new school for this new town. Partly this was a convenience for those who lived in that part of the city. But the early nineteenth century was a time of radical thought in many fields, so perhaps there was more going on than mere convenience.

 

The French Revolution at that time dominated radical thoughts. However, the ideas of the French Revolution are not simple; rival revolutionaries did each other to death over disputes. Is Napoleon counted as a Revolutionary? Two ideas, however, can be asserted as general to the French Revolutionaries. One was that the influence of religion over politics, over life in general, should be greatly reduced if not eliminated altogether. The other was that power in society should not come “top down”, based on birth. Exactly what “bottom up” version of power should replace it was one of the things disputed, to the point of killing.

 

The Edinburgh Academy was widely seen as a Whig scheme. The founders tried to dilute this political wrangling by inviting Walter Scott (avowedly Tory) to be the first Chairman of Directors. The Whigs were less utterly against the French Revolution than the Tories. However, even though they eventually evolved into the Liberal Party forty years later, in 1824 they were as opposed to democracy as were the Tories. On the other issue, the influence of religion, they did agree more with the French Revolution. Incidentally, the terms “Whig” and “Tory” do not carry quite the same meaning in Scotland as they do in England. Jacobite memories took a long while fading and Whig meant “anti-Jacobite”. Also the Established Church (which Tories supported in England) in Scotland was the Presbyterian Kirk, not the Church of England.

 

There was also the Scottish Enlightenment. Its great days – associated with Hume, Smith, Hutton and others - had preceded 1789. Leonard Horner, who shared the original idea of the new school, The Edinburgh Academy, was steeped in that tradition. He was involved in the foundation of London University and of what developed into Heriot-Watt University. Both of these consciously moved away from the more ancient foundations, emphasising subjects other than the Classics and not at all insisting on membership of the Established Churches. At school level the academy movement is especially interesting. Consider this extract or from the Perth Town Council Minutes (1761). [ Taken from “Modern Scottish History 1707 to the Present, Vol 5” , Edited by Cooke, Donnachie, Macsween and Whatley]

“But Providence has cast our Lot in happier Times, when things begin to be valued according to their use and men of the greatest Abilitys have employed their Skill in making the Sciences contribute not only to the Improvement of the Lawyer, Physician and Divine, but to the Improvement of the Merchant, Mechanic and Farmer in their respective arts. Must it not then be of Importance to putt it in the powers of Persons in these Stations of Life to reap that advantage which Science is Capable of affording them…. From this Plan it will appear how much such an Education would differ from that which is generally pursued in our universities.”

 

But the Edinburgh Academy was not inspired by such views. Henry Cockburn, in his “Memoirs” describes the moment:

“ Leonard Horner and I had often discussed the causes, and the remedies, of the decline of classical education in Scotland; and we were satisfied that no adequate improvement could be effected so long as there was only one great classical school in Edinburgh, and this one placed under the town council, and lowered, perhaps necessarily, so as to suit the wants of a class of boys to more than two-thirds of whom classical accomplishment is seen to be useless. So one day, on top of the Pentlands we two resolved to set about the establishment of a new school.”

Clearly it was to specialise in the Classics and it was not aimed at the generality of the population. Most of the first masters were eminent teachers of the classics.

 

To understand this one must appreciate that Edinburgh society had particular characteristics. The Treaty of Union had moved much of “ruling class” life, and the excitement of a capital city, down to London. But it had left the Kirk, education, medicine and the law untouched. The hub of these learned professions was Edinburgh. While the Grand Tour was impossible during the French wars Edinburgh could feel part of mainstream Britain. Now the wars were over; ambitious young men went to Europe to finish their education, not to Edinburgh. Besides, the Edinburgh professional classes wanted their sons to be ready to succeed in England and the Empire, as well as at home. The new school did have a teacher of English, and it was insisted that he have an English accent. A major controversy in the early years was whether the English pronunciation of Latin should be taught or the traditional Scots one – even though the Scots one was the same as the best European practice. The Directors did not want their ex-pupils’ Latin tags to be laughed at south of the Border.

 

The first Directors realised they had better have a maths teacher, so they appointed the young James Gloag. He stayed for forty years. In one seven year burst he produced six Senior Wranglers at Cambridge. He also has some responsibility for the man who ought to be The Academy’s most famous former pupil: James Clerk Maxwell.

 

Friday 7 May 2021

Historical films as enrichment for pupils

 

 

There was a tweet the other day enquiring about films as enrichment for school pupils studying history. I am no sort of film buff, and I am sure I have not watched as many good films as you have watched. But I did use films quite a lot in my teaching, so here are my thoughts for what they are worth.

 

I also occasionally wrote historical plays for my pupils and so I know from first-hand experience what is common sense: that even if you try to be true to the history, the disciplines of the play/film take over. There will be a small number of main characters, issues will be simplified, there will be a beginning, middle and end, the dialogue will be interesting, and so on. Many historical films (and some of my plays for that matter) have the status of historical novels. They may be set in some period of the past, but the events and characters will be fictionalised.

 

Nevertheless, I did use films quite a lot, once the video recorder had been invented. (You can see how old I am). Quite apart from lessons, we for a time had compulsory “after school activities”. My “History on Film” activity one year attracted all the pupils (a small number) who went on to gain places at Oxford and Cambridge. To a colleague who said dismissively “You mean you just watch films?” I replied “Why is it that when I take pupils to the theatre I am praised but when I show them films it is assumed to be lazy fun?”.

 

For enrichment the films should be accompanied by discussion, teaching, perhaps the watching of associated documentaries, or distribution of relevant source material and so on. One does not, at school level, need to worry too much about the fact that the type of grenade depicted as being thrown in 1915 did not actually come into use till 1918 or whatever. Though if you happen to know such points they add to the enrichment. Good films should also provoke thought, and this benefit may well go well beyond what the teacher had in mind. Ideally watchers would react as do the best readers of historical novels: “That was fun. I must find out more about that period”.

 

Anyhow, here are a few examples.

“Vikings”. No need to watch it all, unless you have time and get interested in the plot. Couple it rapidly with extracts from “King Harald’s Saga” (similarly fictionalised, I suggest) and appropriate pieces of archaeology.

 

“Robin Hood” (Errol Flynn). What? I thought this was about teaching history! Yes, but myths are part of history and the film will get all sorts of traditional medieval themes to the front of the imagination for discussion and further investigation. An important additional point is that the films are themselves evidence for the period when they were made; the scene where Robin explains to Marion the importance of helping the poor and downtrodden is pure New Deal. (The film was released in 1938). One of my music-teacher colleagues extolled Korngold’s score.

 

“1492: The Conquest of Paradise” This was issued to mark the 500th anniversary. It turns into a very dark film in which some of the issues of conquest and colonisation are laid bare, with no punches pulled. Whether the details of the ships, or the characters, are precisely accurate I could not say.

 

The Tudor period is full of enjoyable romps from “A Man for All Seasons” to “Shakespeare in Love”. I would hesitate to use any of them in full, unless time permits; one might propagate the myths, not challenge them. But there are many extracts from the many films that are worth showing for discussion, with hard evidence produced.

 

“Cyrano de Bergerac”. Again the whole film gets away from history, unless you have time, but the opening scene in the theatre is a joy. Also, there is a brief moment where you get an idea of a regiment of 17th century pikemen. I assume the reason they hardly ever appear in films is because these huge spears would need a lot of money spent on training the extras.

 

“Rob Roy”. It would be best if the teacher had read “The Hunt for Rob Roy: The Man and the Myths” by David Stevenson, to know that the story is mostly fantasy. But a lot of the detail of early 18th century Scotland is interesting – for example the way the power of the aristocrats was enormous. Also there is only one Englishman in the film (and he half a Scot). Some pupils will enjoy the final duel. Try to find an account of a real duel to go with it.

 

“Waterloo”. The point I made earlier about the need to bow down to the disciplines of the film, at the expense of the history, applies here. But unless you know a lot about the battle the film will teach you more.

 

“Far from the Madding Crowd” (1967). I used to know an old labourer who stood in the market place waiting for a job, exactly as shown in the film.

 

“All Quiet on the Western Front” (1930). This is a very good film indeed. Of course, it is one snapshot and, taken on its own, might I suppose reinforce myths about the First World War. But I am sure any teacher who reads this will avoid mythologies.

 

“Lawrence of Arabia”. This gets us well away from the Western Front! Another great film. But beware. The history is heavily distorted in order to construct a memorable film.

 

“Hope and Glory”. There are too many Second World War films to know where to start. This one follows a child of school age. The final scene, where the school is destroyed by a bomb, may provoke applause.

 

“Schindler’s List”. After our school was given this by The Spielberg Foundation (I apologise if I have got the name wrong) I used to organise an evening viewing once a year. Before showing it I would make one or two points. One was that, despite make up, actors could not achieve the extreme emaciation of concentration camp inmates. The other was that this is mainly a story of survivors – based on the testimony of the survivors. Millions did not survive.

 

I am sure you could make your own list, three times as long. I’ll end by repeating a point I made earlier in passing: All films are evidence for the time in which they were made as well as the time in which they are set. Surely one can use them to enrich one’s appreciation of the past.

 

 

 

Sunday 7 February 2021

One night in the Blitz

 

This was written on September 9th 1940 by my mother (then 26, a lecturer at Bedford College, London). I’ve left out family news.

 

 

Dear Ma and Pa,

 

I thought I’d better drop you a line and managed to put 2 and 2 together about last night’s bombing and realised that the station, cinema and museum bombed all together were Baker St, Tussauds and the wax works. All is well except that EET (Professor Turner) and I have all our Lab windows gone! As I heard one cockney voice say yesterday, “What a shame I didn’t go into the glass business!”

 

Last night I went to see James off at Liverpool St. Just as his train went, off went a siren. I popped straight down to a Shelter, it turned out to be the disused Bishopsgate Tube shaft. A good thing it was big enough, for about 2,000 people were there before the fun was over! I went in at 8 p.m. and staggered out at 6 a.m. today! It was a good thing too that it was deep, for three bombs fell above it with great crashes like thunder, so that it rocked. But the jolly little cockneys inside just sang a little louder. The morale in London is wonderful. I was thrilled with my fellow men last night, and very, very glad of my Elementary School days, as I found I was able to join in the fun and appreciate it all. A jovial man brought down a harmonium and played it for 4 hours! There were some very coarse songs (G Formby ones, I think) but lots of others I knew, like “Comrades”, “The Man that Broke the Bank at Monte Carlo”, “Where did you get that Hat?”, “The Rose of Tralee” etc. etc. When the nearest bomb fell (blowing up a train and setting the station on fire) there was a momentary lull followed by a louder song. Some kind people brought round water to drink in a watering can, after about five hours and we all drank out of the same glass.

 

We came out at 6 looking as if we had been in an earthquake: the tube tunnel had been full of dust – no seats – and we had all lain in it, hair and faces and all. Some little middle-aged cockney soldiers were good to me and gave me their gas masks to sit on, a small pear, a little bit of chocolate and some Rowntree gums. The whole atmosphere was grand.

 

Out of Liverpool St this morning I walked down to the Bank and lo! There a great bomb had dropped, just taking the front colonnade, and the crater stretched all across the open space. I walked round Barts [where her brother was a junior doctor] but did not dare go in as I looked so awful, with filthy face and hands and hair.

 

Round behind Barts a great fire raged and I tracked it down to behind Barbican. It was just like pictures of Hell. All the London fire brigade pumps were there, pumping away like mad to try and drench the surrounding buildings. All honour and credit is due to the Auxiliary Fire Service.

 

Well, thinks I, after staring at this for a while amid a little group of poor women in shawls, I’ll go back to a peaceful breakfast at Bedford. So left the city where there was a constant tinkle of glass being swept up – can you imagine all those imposing windows near the Bank with their windows broken? – and got a train to Baker St. What horror met my eyes! I began to think it was a nightmare! All Upper Baker St littered with glass: not a shop window left: stockings and vests and things draping over the pavement (it was still just 7.15 a.m.). And then the wreckage! Just behind Tussaud’s Cinema a huge crater: houses quite gone: a pathetic site was one wall standing with a picture still hanging on it. That great block of flats in Chiltern Court reduced to a skeleton: similarly the workhouse. DON’T imagine for a moment that all London is like this. Not a bit of it. I dashed into Bedford and found no damage but windows gone, particularly our Labs, dash it. Old Adolph would catch it if Dr. Turner could get him.

 

At breakfast we had a sad little bunch of people whose houses were quite destroyed. All shy in queer clothes like night dresses and mackintoshes. Mostly caretakers and keepers of little shops. It always seems to get the poor.

 

With much love….

Saturday 2 January 2021

One a day free: January 3rd to January 31st

 

One a day free, January 3rd to January 31st 2021

 

These were written with secondary school pupils in mind. But I have found that all sorts of people might be interested in them. Look for the hashtags #historyteacher #disthist and #learningfromhome.

 

3. The Congress of Vienna Reassessed

4. The Place-names of Scotland: A First Introduction

5. The Russian Revolution of 1917

6. James IV: Scotland’s Renaissance King

7. The Unification of Italy

8. The Jacobites

9. The Causes of the Second World War and Appeasement

10. Three Wise Men

11. The Cold War

12. An Introduction to the Scottish Enlightenment

13. Cockburn’s Edinburgh

14. Scotland and the Causes of the First World War

15. The ‘Glorious’ Whig Revolution: 1670-1720

16. Bonnie Dundee and the First Jacobite Rebellion

17. The Protestant Reformation briefly explained

18. Bismarck and the Making of the German Empire

19. The Causes and the Course of the First World War

20. The Curse of Donald Bane

21. An Introduction to the Renaissance

22. Why did the Allies Win the Second World War?

23. Getting to Know Edinburgh

24. Slavery and the Causes of the American Civil War

25. The Development of Democracy in Britain: 1850-1918

26. The Baker Street Irregulars

27. Socialism and the Early Years of the British Labour Party

28. Votes for Women!

29. The Great Liberal Social Reforms: 1906-1914

30. Hitler’s Rise to Power

31. The Russian Revolution of 1917